In Self-Portrait with Beret and Turned-Up Collar Rembrandt is seated in a broadly painted fur cloak, his hands clasped in his lap. Light from the upper right fully brightens the face, hollowing the form of the cheek, and allowing for the representation of blemishes on the right cheek and ear lobe. The picture is painted in a restrained range of browns and grays, enriched by a red shape that probably indicates the back of his chair, while another red area at the lower left corner of the canvas may be a tablecloth. The most luminous area, the artist’s face, is framed by a large beret and the high collar that flatteringly hides his jowls. The skin of the face is modeled with thick, tactile pigment, painted with rich and varied colors suggesting both the artist’s physical aging and the emotional effects of life experience.
Read more about Self-portrait with Beret here.
